Tuesday, December 18, 2012

Flash mob, everyone!

First published at South Florida Opera Scene on November 21, 2011


Imagine you're in line at the supermarket.  Suddenly, the guy in front of you starts singing to the lady bagging his groceries, and what do you know, she starts singing back!  "Holy cow!" you think to yourself, moments before you notice that the guy in the next checkout lane, the lady three places behind you in line, and that couple over there in the produce aisle are all singing, too!  Well, last night I was playing around on Stumble Upon, when I, um, stumbled upon (imagine that!) this video:



Quite aside from the lovely performance itself, the reactions of the other shoppers were very interesting to see.  There were, of course, a few people in the crowd who did their best to pretend that nothing out of the ordinary was going on.  They kept their headphones in their ears, paid for their groceries, and left with averted eyes.  But they were the minority.  As the camera panned around the store, I watched the various expressions of surprise and delight cross the faces of the many customers, young and old.  They were sharing the wonderful experience of opera with complete strangers, most of them probably for the first time, and the result was almost magical!
This got me thinking.  There are so many people out there who have never experienced opera, and in the normal course of life, probably never will.  Most people who don't alreaky know and love opera are not likely to go out and buy a ticket to a performance on their own, without any sort of external push.  You know, Newton's first law of motion.  An object will persist in its state of being at rest or in motion, unless acted upon by an external force... Sorry, I digress.  Anyway, my point is this: an event like this just might be that external force needed to alter the inertia... ahem... I mean, to pique public interest in opera. 
So after I saw this video, I wanted more.  I wanted to find other examples of opera ambushes, as they are sometimes called.  I found that various organizations and opera companies often arrange similar events, whether to promote an upcoming performance or just to bring a bit of culture to the unsuspecting public.  These events, also variably called pop-up opera and Opera Anywhere, have been put together in such places as shopping malls, restaurants, transit stations, public markets, and even college cafeterias!



One organization of note puts on what it calls "random acts of culture."  These events range from opera to jazz to "impromptu" orchestras.  And several South Florida locales have played host to these random acts.  Earlier this year, shoppers at the Aventura mall were treated to a grand-scale performance of O Fortuna from Carmina Burana.  Travelers at Miami International Airport were surprised with a brass quintet rendition of West Side Story.  And if you happened to be trying on ladies' shoes in Macy's at Dadeland Mall at just the right time, you might have seen this:



These wonderful surprise performances do much more than provide brief entertainment for people passing through on their day-to-day business.  They raise awareness of the arts, and offer an introduction to opera to anyone fortunate enough to be there.  They bring joy to people of all ages, from the older audience members who may already be familiar with the music, to the young adults who may have never really noticed before, and especially to the children hearing it for the first time.  For them, these performances are precious gifts, paving the way for a lifetime love of opera.

Saturday, December 1, 2012

Exploring Artists: Mark Walters


Good morning, dear readers, and welcome to December!  I know, there are lots and lots of things to do this month, but I'm going to start this wet weekend by telling you a bit about the baritone that lucky Eugene operagoers will have the opportunity to see later this month.  Now, I know what you may be thinking.  Perhaps you are thinking, "Oh, no!  Not another baritone!  Can't this girl write about anything else???"  Well, yes, I can, but....  Aside from being partial to that particular vocal range, I have had the opportunity to see and hear Mark Walters in person, and I completely anticipate him being the star of Eugene Opera's production of The Pirates of Penzance, premiering on December 28.
Earlier this year, right around the end of January, I attended the opening night performance of Florida Grand Opera's highly successful production of Rigoletto.  I went with my eldest son, who was two days shy of his ninth birthday, and my particularly critical little brother.  The evening lived up to, and in many ways surpassed our expectations.  My full review can be found at South Florida Opera Scene, but here is a small excerpt concerning Mark Walter's powerful performance, as published on January 29, 2012:

"Baritone Mark Walters sang the part of the hunchback Rigoletto, a man torn by the double life he must lead in order to protect his daughter from the clutches of his hated employer, the womanizing Duke.  He delivers a poignant, heart-rending performance that grips the viewer from almost the first note.  Never before have I seen a Rigoletto who so effectively demonstrates the depths to which he is forced to stoop in the service of the Duke.  His voice is warm, rich, and powerful, easily filling the farthest corners of the hall with his full, intense tones.  Tender and loving one moment, bursting with rage the next, Mr. Walters created a powerful image of a man who will go to any lengths for his daughter."

Here is an excerpt of that evening.  While the sound quality of the recording is not flawless, it provides a taste of what Mr. Walters is capable of.  
 


Mark Walters has appeared with Florida Grand Opera on several occasions, including a run of La Boheme that is currently in progress, and in 2010 as Escamillo in Carmen.




Mr. Walters has performed more than 50 roles across the United States, and has broken into the European and Asian opera scenes, as well.  He has appeared in many of the great Verdi operas, in roles such as Giorgio Germont in La Traviata, Don Carlo di Vargas in La Forza del Destino, Il Conte di Luna in Il Trovatore, and upcoming performances as Renato in Un Ballo in Maschera.  He has also sung the roles of Valentin in Gounod's Faust, the title role in Don Giovanni, and Enrico in Lucia di Lammermoor, among others.  Here he is singing Il Balen in a 2010 performance of Il Trovatore.


Eugene is very lucky to have the opportunity to see this promising young baritone first-hand.  Considering his excellent handling of heavier roles, I can only imagine the power he will bring to the part of the Pirate King.  No opera lover in Lane County should miss this production.  I know I will be there on opening night, kids in tow, to see this exciting performance and this talented artist.
And now, I really must start my day.  So until next time, goodbye, and keep blaring that opera for all your neighbors to hear!